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	<title>Blue Filter &#187; man</title>
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		<title>Afterwar &#8211; Lori Grinker</title>
		<link>http://www.bluefilter.co.uk/2009/06/afterwar-lori-grinker/</link>
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		<pubDate>Fri, 12 Jun 2009 14:26:30 +0000</pubDate>
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				<category><![CDATA[Book review]]></category>
		<category><![CDATA[chaos]]></category>
		<category><![CDATA[guns]]></category>
		<category><![CDATA[hell]]></category>
		<category><![CDATA[humanity]]></category>
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		<category><![CDATA[war]]></category>

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		<description><![CDATA[Grinker has strived to portray the war within the man]]></description>
			<content:encoded><![CDATA[<p><em>BOOK REVIEW:   Afterwar</em> – Lori Grinker</p>
<p>We are all inexorably drawn to war.<span style="mso-spacerun: yes;">  </span>Tales of courage under adversity, heroism under fire, acts of selflessness and love, men in uniform and the pomp and technology of the military in action.<span style="mso-spacerun: yes;">  </span>It is at once fascinating, horrifying, shocking and guaranteed to provoke a response.</p>
<p>It is no wonder then, that war has always exerted a pull on photographers.<span style="mso-spacerun: yes;">  </span>Some go to make a name for themselves; others hoping their work might make a difference. <span style="mso-spacerun: yes;"> </span>Some go for the rush.<span style="mso-spacerun: yes;">  </span>Whatever the motivation, they are usually divided into two camps: those who look for the dramatic images of combat in the front line, and those who turn to the plight of the civilians caught in the crossfire.</p>
<p>New York based photographer Lori Grinker has uniquely found a different way to portray war.<span style="mso-spacerun: yes;">  </span>When the truces are signed and the guns fall silent, the press turns its attention elsewhere, but the sights, sounds, smells, relationships and losses are necessarily etched into the psyches of the combatants.<span style="mso-spacerun: yes;">  </span>While other photographers have concerned themselves with showing the man within the war, Grinker has strived to portray the war within the man.</p>
<p><em>Afterwar</em> manages the substantial achievement of personalising the conflicts of a century.<span style="mso-spacerun: yes;">  </span>Men and women caught in the dehumanising chaos of war are left to reconcile their experiences with their own fundamental humanity.<span style="mso-spacerun: yes;">  </span>Some meet it head on, others try to file it away, and get on with their lives.</p>
<p>Readers looking for groundbreaking photography or iconic images will be disappointed with <em>Afterwar</em>, but they will also be missing the point.<span style="mso-spacerun: yes;">  </span>Allied with the testimony of her subjects in their own words, Grinker’s colour photographs achieve something that has eluded every other photographer: they deglamourise war.<span style="mso-spacerun: yes;">  </span>While each of the subjects is portrayed with incredible dignity the overall effect is unremittingly dark and depressing.<span style="mso-spacerun: yes;">  </span>War is hell.</p>
<p><em>Afterwar</em> is elegantly designed, using a reverse chronology to take us back from a taste of the recent war in Iraq through all the major conflicts of the past century to the First World War.<span style="mso-spacerun: yes;">  </span>It crosses continents, cultures and languages setting each conflict in context.<span style="mso-spacerun: yes;">  </span>Ostensibly each person in the book represents a survivor of war, but their experiences have necessarily robbed them of something precious, and mankind as a whole is diminished by what they went through.<span style="mso-spacerun: yes;">  </span>If there is any justice <em>Afterwar</em> will find its way to the desks of all those charged with calling men to arms.</p>
<p><em>Afterwar, Veterans from a World in Conflict</em> <span style="font-size: 10pt; mso-bidi-font-size: 12.0pt;">is published by de.MO, and priced at £29.00.<span style="mso-spacerun: yes;">  </span>Hardback ISBN 0-9705768-7-0.<span style="mso-spacerun: yes;">  </span>248 pages.</span></p>
<address><span style="font-size: 10pt; mso-bidi-font-size: 12.0pt;"><span style="color: #ff9900;">This review was originally written for the Photographic Journal</span></span></address>
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