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Comic cuts
It’s that time of year again where once the great and the good were lauded for their respective greatness and goodness; The Queen’s Birthday honours.
In recent years it has been pleasing to see photography recognised in the lists. Worthy recipients have worked quietly and diligently to promote the medium either through their own work or by making it more accessible to others, not because they sought recognition but because they believe in the value of what they are doing. In the last list, for instance, freelance photojournalist Harry Benson was recognised for his services to photography and the community in the UK, and back in 2005 Rhonda Wilson, theย creative director of Rhubarb-Rhubarbย was made an MBE for her work. In fact, pretty much every list has seen someone’s work for the betterment of the medium brought to a greater audience. Consequently it is rather disappointing to see not just photography, but journalism as well, completely overlooked in the 2009 Birthday Honours list.
Instead we have what has become the sad routine of famous rich people being given a gong for being,… well, famous and rich really. To be fair, some of them have done much for charity and that is clearly worthy of recognition, but often what has been “done” is the donation of large sums of cash. In that light, consider this: a pop star worth ยฃ50 million gives ยฃ500K every year to various charities, and in due course is made a CBE at the very least, if not a knight or dame. Meanwhile, Joanna Public can give all her free time, and 10% of her income to a given charity, and the likelihood is that she will never be recognised. If she is it will be years later and a lowly MBE. The star may have “given” more, but the amount represents only 1% of their worth, and any “time” will usually be undertaken by members of their staff.
There used to be a time when most honours were given to civil servants. The concept was simple: they had given their lives to public service earning less than they might have done in the private sector, and the honour was their just reward. The problem was that the media painted this as “Buggin’s turn”, and as public sector earnings caught up with the rest of British Society and people’s careers became far more flexible, it seemed with some justification to be a little out of step with the times.ย There was, therefore, an opportunity to reinvigorate the honours system when New Labour came into office in 1997. But Tony could not resist the lure of “connecting” with the well connected. The resurgence of popular British culture across the globe was a golden chance to be seen to be in the thick of things that were cool, and New Labour honoured people for their celebrity and cool, and the media lapped it up without criticism or complaint. Nothing will shift copy like a famous person declaring how stunned they were to be told that they were going to be made a little more famous.
There is nothing wrong with honouring people that have done astounding things, it is honouring people who have not that rankles. Consider Sir Steve Redgrave. Here is a man who won gold medals at five consecutive Olympic games in a notably gruelling sport. By the time he won the fifth he was diabetic, suffering from ulcerative colitis and had been at the pinnacle of his sport for two decades. By any standards his is a truly remarkable achievement, and worthy of national recognition. Consider Dame Kelly Holmes on the other hand. A great athlete no doubt, but she was made a dame because she won two gold medals at the Athens Olympics. Wasn’t that her job? If we start to knight peopleย because they have done their job the queue out of Buckingham Palace is going to get very long indeed. The consequence of this rush of love for sporting achievementย reached an apogee of farce onlyย fiveย weeksย laterย when Ellen MacArthurย was made a dame before she was even back on dry land. What happened to waiting for the next list?
Now the public and the media have come to expect national honours to be showered on the rich and the famous for doing their job. The England Rugby Team won the world cup and they all trouped off to see the Queen. If the football team reach the quarters in the World Cup in 2010 you can be sure the pundits will start to speculate on gongs and an honorary knighthood for Fabio, but is it deserved? If they win everything going for the next 20 years like Redgrave, maybe. But I suspect the good life and the public’s adulation, however temporary, will end upย with them taking their eyes off the ball.
The time really has come for a wholesale reconsideration of the honours system. Do we have to hand out a thousand every six months? If the requirements were that recipients of an honour had to have gone above and beyond the call of duty, that their actions were in the interest of community rather than self, it might mean far fewer honours, but think how much more we could applaud them for what they have done.
So where does this leave us? In an era when everyone and their mother thinks they are a photographer there are still some people quietly looking to promote excellence and skills in photography in spite of the difficulties, and many of them deserve recognition; unfortunately there are very few who are celebrities. It’s a pity space couldn’t be found for at least oneย alongside Sir Nick Faldo and Delia Smith CBE.
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Photographs – Renรฉ Burri
BOOK REVIEW:ย Renรฉ Burri – Photographs
There are some photographers you really ought to know better, but don’t. They go quietly about their work, unassuming, not wanting to do the obvious or offend their subjects. Renรฉ Burri is that photographer. A man not afraid to talk about the untaken photographs; the images missed because he chose to miss them. His is a considered approach, one that has resulted in many iconic images and a deserved reputation among his colleagues as one of the giants of twentieth century photodocumentary.
A Magnum veteran, it is unsurprising that he should have sought to publish a major retrospective of his work, and still less surprising that he should do so through Phaidon, masters of the photographic monologue who have published over 15 books by Burri’s Magnum colleagues.
Born in Zurich in 1933, Burri came into photography almost by accident. From childhood he was unquestionably artistically inclined, his mother saved wrappers to help feed her son’s demand for drawing paper, and his attendance at Zurich’s well regarded art school was almost inevitable. Burri, however, was initially turned off photography by the pungent smells associated with the darkroom, and it was only when he saw the lighting rigs of the studio, and their inherent Hollywood glamour that his thoughts turned to the possibilities photography might offer.
A naturally inquisitive man, Burri found Switzerland claustrophobic: the mountains obscured his view of the world beyond. Furthermore, the methodical order and neutrality so often associated with Switzerland, and ingrained in Burri during his training by the esteemed formalist, Hans Finsler, became something Burri wrestled with all his life. The struggle though, was not to break free from its strictures, but to harness its potential as a tool to be used so effectively in his work.
This retrospective is a celebration of Burri’s personal work. In common with many photographers he disliked the restrictions associated with commissioned work, and continues to see the camera primarily as a means of personal expression. Nevertheless he took such assignments based on his need to pay the bills, and naturally they provided many of the opportunities to further his quest for personal satisfaction, and importantly led to long associations with a number of publications, in particular the Swiss periodical Du. Indeed, the closing chapters of the book detail Burri’s many exhibitions and publications, and tantalisingly reproduce a handful of magazine spreads – the only colour reproductions included.
The book is cleverly designed, having the feel of a catalogue, but the permanence of something more special. It is a testament to Burri’s remarkable and unassuagable eye that after nearly 500 pages the reader is left wanting more, and knowing that what has been revealed is only a taste.
Renรฉ Burri Photographs, Phaidon Press, 378 Duotone and 44 colour illustrations, 448pp, Hardback, ยฃ59.95, ISBN 0-7148-4315-6. www.phaidon.com
This review was originally written for the Photographic Journal
I worked for them part time in 2000(July) until 2001(May) and it was a really nice team to be involved…